Tennessee Williams The Glass Menagerie as a Tragedy Essay -- Papers T

Tennessee Williams The spyglass Menagerie as a Tragedy The Glass Menagerie has, of course, been labelled as many diametrical types of repair, for whizz, a tragedy. At prototypal glance it is clear that audiences today may, indeed, class it as such. However, if, looking at the traditional definition of the compartmentalisation tragedy, one scum bag more than easily assess whether or not the Glass Menagerie flare-ups under this title. To do this I will be exploitation the views of Aristotle, the Greek philosopher, who first defined the word tragedy and in his views, a tragedy contained certain, distinctive characteristics. His work was written in between 384 and 222 BC, and his views were taken on by some of the more traditional playwrights, such as William Shakespeare. As I develop through this essay, it will be clear to see how Shakespeares tragedies indeed fit into Aristotles definitions. To begin with, in order for a play to be a tragedy, it mu st involve an action that is serious Aristotle argues. I believe that, in relation to the Glass Menagerie, it is certainly one that Williams has used, as the whole situation that the Wingfields find themselves in does appear to be very serious indeed. The world is looming upon World War II, and the States has hit the coarse Depression. The whole of the United States is stricken by poverty. Therefore, it is not only the Wingfield family, but indeed all families, who are in this serious situation. To put up a lower-ranking more detailed analysis into the actual characters, I would suggest that they each have their own very serious, almost disturbing problems. To begin, tomcat has an unnatural inclination to escape, and leave his famil... ...e play. The whole of Amandas existence is to find a gentleman caller, through Tom, for her daughter. This is the main point of the play, involving every character, and which, when not accomplished, tears the fami ly apart. Therefore, I would argue that time, pasture and action of the play are actually fairly united, even though it does not appear this way at first. After examining Aristotles views I would define the play as tragedy. Although the Glass Menagerie does not consist entirely of his views, the main points are clearly there, as I have discussed, and consequentially agree with the critics argument. kit and caboodle CitedWilliams, Tennessee. The Glass Menagerie. In Literature An Introduction to Reading and Writing, 4th ed. Ed. Edgar V. Roberts and Henry E. Jacobs. Englewood Cliffs, NJ Prentice Hall, 1995. 1519-1568. Tennessee Williams The Glass Menagerie as a Tragedy Essay -- Papers TTennessee Williams The Glass Menagerie as a Tragedy The Glass Menagerie has, of course, been labelled as many different types of play, for one, a tragedy. At first glance it is clear that audiences today may, indeed, class it as such. However, if, looking at the tra ditional definition of the classification tragedy, one can more easily assess whether or not the Glass Menagerie fits under this title. To do this I will be using the views of Aristotle, the Greek philosopher, who first defined the word tragedy and in his views, a tragedy contained certain, distinctive characteristics. His work was written in between 384 and 222 BC, and his views were taken on by some of the more traditional playwrights, such as William Shakespeare. As I develop through this essay, it will be clear to see how Shakespeares tragedies indeed fit into Aristotles definitions. To begin with, in order for a play to be a tragedy, it must involve an action that is serious Aristotle argues. I believe that, in relation to the Glass Menagerie, it is certainly one that Williams has used, as the whole situation that the Wingfields find themselves in does appear to be very serious indeed. The world is looming upon World War II, and America has hit the Great Depression. The whole of the United States is stricken by poverty. Therefore, it is not only the Wingfield family, but indeed all families, who are in this serious situation. To add a little more detailed analysis into the actual characters, I would suggest that they each have their own very serious, almost disturbing problems. To begin, Tom has an unnatural desire to escape, and leave his famil... ...e play. The whole of Amandas existence is to find a gentleman caller, through Tom, for her daughter. This is the main point of the play, involving every character, and which, when not accomplished, tears the family apart. Therefore, I would argue that time, place and action of the play are actually fairly united, even though it does not appear this way at first. After examining Aristotles views I would define the play as tragedy. Although the Glass Menagerie does not consist entirely of his views, the main points are clearly there, as I have disc ussed, and consequentially agree with the critics argument.Works CitedWilliams, Tennessee. The Glass Menagerie. In Literature An Introduction to Reading and Writing, 4th ed. Ed. Edgar V. Roberts and Henry E. Jacobs. Englewood Cliffs, NJ Prentice Hall, 1995. 1519-1568.